Pocket Book Review # 7

Saving Angelfish, by Michele Matheson



“Saving Angelfish” is a character study of a Hollywood junkie at the end of her rope. Michele Matheson describes the low life in L.A., the desperate days of her junkie heroine, in prose that is childlike, innocent, angelic, and that conveys the allure and impossibility, the otherworldly kick, of a good high.

This book is not heavy on plot. The main line of suspense is whether someone or something will arrest Maxella Gordon’s downward spiral. Matheson spares no details in describing Max’s gutter life of heroin dependency and sickness. I never read any William S. Boroughs but, honestly, I have a hard time believing he could have written anything more raw than this.

I was lucky to meet Michele at this summer's Tin House workshop. She is charming and hilarious and, not that this is a standard for literary reviews, but she deserves all of her success. Hurry up and buy her book already!

Kapuscinski's Legacy

On cue, as if the splashes in this blog had made a ripple in the world, the editors of Tin House have published dueling essays about Ryszard Kapuscinski in their current issue.

Steve Almond, lined up to defend our intrepid Polish foreign correspondent, doesn't dispute the errors in Kapuscinski's reporting. Instead, he celebrates Kaupscinski's dedication to the noble mission of increasing the West's understanding of Africa. Fair enough.

Binyavanga Wainaina makes a narrower, and to my mind stronger, point. He first notes Kapuscinski's ability to turn out brilliant work. In "Another Day of Life," comprised of early Kapuscinski reportage from Angola, Kapuscinski is "a writer of profound and careful wonder."

But then Wainaina reads "The Emperor," about Ethiopian dictator Haile Selassie, and it all goes downhill. "The Emperor" is filled with factual errors, the most notable being Kapuscinski's description of a Selassie aide whose job is to wipe the pee from the dictator's dog off the shoes of visiting dignataries. In fact, Selassie treated his guests with respect, and would not have let his dog degrade them. So, what are to make of a writer who, apparently deliberately, gets this wrong?

There are other mistakes, if you can call them that. Kapuscinski says Selassie was "no reader" when in fact he studied the Ethiopian and Western canons and held a profound esteem for reading and learning. Kapuscinski says he never signed anything when the opposite is true. Wainaina demonstrates that Kapuscinski has given the reader a caricature of Selassie, the African Dictator Stereotype in place of the real and more complex person. Wainaina argues that "Shadow of the Sun" is similarly beset by cliches about Africa and its people and it is hard, in the end, not to wonder how much a simplistic and inaccurate impression of Africa adds to our understanding.

Almond and Wainaina both tacitly acknowledge the power of Kapuscinski's writing. Whether he was nailing it in "Another Day of Life," or phoning it in in "The Emperor," the man could write. Kapuscinki's writing is always spare and beautiful, devoid of sentiment, full of grace and power, and it casts a spell. I read "Shadow of the Sun" mesmerized by that spell. It's interesting to note the power of good writing to seduce the reader.

The question that comes to my mind is, "What was Kapuscinski thinking"? Granting that he got so many fundamental facts about Africa -- his life's subject -- wrong in "The Emporer" and "Shadow of the Sun," the natural question is, What was going on upstairs?

Wainaina says Kapuscinski's mistakes reveal his state of mind. He suggests that Kapuscinski may have believed the cliched myths he propogated about the African rulers he profiled. Wainaina describes the idealistic rulers of African nations who, in the 80's and 90's, "self-orientalized" and came to "believe their own bullshit completely." (I'm paraphrasing slightly). "Their parliaments and other institutions that regulated them let them get away with murder," Wainaina says, "by mindlessly validating not just the good they did, but everything they did."

The implication is that the Kapuscinski of "Shadow of the Sun" is one of these enablers, a writer whose critical days are behind him and who is only calling in the company line.

I'd like to know. I wish it weren't too late to sit down with the old man, read him one of the passages that Wainaina quotes, and ask him what he thought. Was history in Africa really, as he said in "Shadow of the Sun," "free of the weight of archives, of the constraints of dates and data"? Had history really achieved, in Africa, "its purest, crystalline form -- that of myth"?

Pocket Book Review # 5

You Are Not a Stranger Here, by Adam Haslett

Judging solely from the story "Vincennes," which he read at last year's PEN/Hemingway event in Washington, D.C., Adam Haslett is working on a second collection of amazing short stories. In the meantime you can read "You Are Not a Stranger Here," his first collection, published in 2002 and out in paperback from Anchor Books. All of the stories in this collection are confident masterpieces of the form, the kinds of stories Chekhov might write if he woke up to find himself among us.

Which, you have to admit, would be pretty weird, for Chekhov to rise from the dead and start writing Adam Haslett stories.

Will all of these pocket reviews be of paperbacks? you ask.


Mostly, yes. These are reviews of whatever I happen to be reading, with little more design or intention than to put down whatever thoughts I have about them, and I read mostly paperbacks. Also, these are "pocket" book reviews, so it makes more sense they would be of paperbacks.


How did we get off on this tangent?


Good question. But I will say that the word that comes to mind after reading "You Are Not a Stranger Here" is "fine." These are fine short stories. Fine, fine.

Pocket Book Review # 4

Travels With Herodotus, by Ryszard Kapuscinski



When he was a young correspondent, Ryszard Kapuscinski left Poland for his first foreign assignment in with a dog-eared copy of Herodotus’ “The Histories” as his only field guide. Kapuscinski’s idea for this memoir -- the last of his collections of essay and reportage -- was to describe those early travels with the father of literary travel writing, to place his early experiences in the shadow of Herodotus’ stories.

It was a lovely idea, and reading Kapuscinski is always a delight. But I have to say that this one didn’t quite seem to work as well as Kapuscinski might have intended. The early chapters, when Kapuscinski first sets off, are delightful, and of course Kapuscinski quotes the best parts of “The Histories.” He also finds some connections between Herodotus’ classic and his own adventures. But if you’ve read Herodotus before, and “The English Patient,” and seen the movie, the idea and the material will seem a bit familiar.

In the end, though, Kapuscinski turns the story toward something more personal, and more meaningful. As if he were Homer, conjuring his muse to sing, Kapuscinski writes a kind of love song to what it means to be a foreign correspondent, that is, a journalist charged with traveling to and reporting from a foreign place. The last chapter of the book is wonderful, and Kapuscinski’s final descriptions of Herodotus are the closest he comes to autobiography. When he describes Herodotus as “a vivacious, fascinated, unflagging nomad, full of plans, ideas, theories,” he is, of course, talking about himself.

Pocket Book Review # 3

No One Belongs Here More Than You, by Miranda July



It would be a disservice to say the stories in Miranda July's collection are propelled by a quirky voice. They are propelled by a voice that is captivating, funny, wise, and honest. What July has figured out is that a voice can sound strange but also be a delight, that it can be slightly alienated and confused but also have the timing of nightclub stand-up.

Here is the narrator of "Majesty" explaining her job as an earthquake safety counselor:

"There's a school in the neighborhood, Buckman Elementary, and every year they invite the firemen in to explain how to Stop, Drop, and Roll, and later in the day I come in and talk about earthquake safety. Sadly, there is very little you can do. You can stop, you can drop, you can jump in the air and flap your arms, but if it's the Big One, you're better off just praying. Last year a little boy asked what made me the expert, and I was honest with him. I told him I was more afraid of earthquakes than any person I know. You have to be honest with children."

Pocket Book Review # 2

In the Shadow of the Sun, by Ryszard Kapuscinksi



"The Soccer War" is an egaging and fascinating read, but "The Shadow of the Sun" is a masterpiece.

"The Soccer War" bounces all over, from Africa to Latin America, and occasionally Kapuscinski steps in with a journal entry on the Big Book he wished he'd written and that, perhaps, he thought he never would. It's great reading, but it's also a disparate collection.

All the stories in "Shadow" are set in Africa, which makes the work cohesive and coherent in a way that "Soccer War" is not. This collection of reportage is essentially a checkered history of 20th Century Africa, reported by an eloquent, thoughtful, and thoroughly engaging correspondent.

Colonialism in Africa reduced ten thousand entities to fifty, Kaupsinski writes, "but much of the underlying variety, this mosaic -- this shimmering collage of pebbles, bones, shells, bits of wood, pieces of tin, and leaves -- has remained. The more closely we stare at it, the better we see how the bits and pieces of this tableau change place, shape, and hue, giving rise to a spectacle staggering in its mutability, richness, and pulse of color."

Pocket Book Review # 1

The Soccer War, by Ryszard Kapuscinski



From 1958 to 1980 Kapuscinski was the Polish Press Agency's correspondent in Africa and Central and South America. He flew from one crisis to the next, a literary man with a journalist's notebook, reporting on wars and revolutions, profiling political leaders, revolutionaries, and madmen, and living with the common people in their tin houses on their ramshackle streets.

The Soccer War is a collection of reports from Kapuscinki's far-flung travels, interspersed with soaring diary entries styled, whimsically, "Plan for a Book That Could Have Started Right Here," "Plan for a Book That Could Have Been Written," "Plan for a Book That Will Never Be Written," etc. It's touches like these that make Kapuscinski's essays so special. He writes about tragedy, but never loses his sense of the beauty and absurdity of the world.

It's a Vintage paperback. $14. You cannot go wrong.

Update

OK, so I don't update this blog very often. I know this greatly disappoints my three readers. But today -- glorious day! -- is different. Today I check in to update Ye Olde Blogg. Here is the rundown:

Sarah Vowell Was My Soul Mate is on The Nervous Breakdown

Judas Breaks His Silence is on the Opium website.

And finally, I put a movie on You Tube that I made several years ago, called Quimby Explodes

Please enjoy.

For those who have read this far, some recommendations. First, the New York Times has struck blogging gold in Paper Cuts, the new blog by Times book review editor Dwight Garner. It's lively, funny, and the behind-the-scenes look at the Book Review you always wanted.

Second, I admit to having a love-hate relationship with reading. I love to read, and I'm always plowing through something or other, but so many books just aren't particularly great. They are good, but they don't offer the transcendent experience that can make reading a truly special experience. Well, thankfully, there are exceptions, and "In the Shadow of the Sun" by Ryszard Kapuscinski is one of them. I read "The Soccer War" earlier in the week, and while that book is very good, "Shadow of the Sun" is a masterpiece. It recounds Kapuscinski's twenty years of adventures in Africa as a foreign correspondent for Poland's state newspaper. The adventures and Kapuscinki's writing are amazing. And, best of all, it's a $15 Vintage paperback. The best kind of book.